When it comes artists, there are a number of different genres. One of these genres is that cyber art. The term generally refers to art which has been produced with the use of computer applications, hardware, software or has a multi-media aspect and involves a computer in some fashion. In some cases, these can be paintings which have been created with applications such as paint, or more advanced painting tools while in others it could involve performance art or poetry on a rolling video with various backgrounds.
The term, while relatively new and still somewhat vague has no other solid definition. In some cases, multiple pieces of art could be created in minutes through the use of a single art application tool. Whereas, other projects could be related to photographs which have been stored on a computer then enhanced through the use of various programs such as Photoshop and other photo editing software.
The Boston CyberArts Festival which began in the early 1990s helped promote this type of art. For, at the time everything from digital visual performance art and video to paintings and portraits were all the rage. In fact, the festival was the largest of its kind for almost three decades. One reason the event was so popular is because organizers allowed artists working in different areas, including mixed media to show and sell work on a regular basis.
In 2007, approximately twenty two thousand people were in attendance with over 200 artists showing work from around the world. The festival was held in Boston once every two years from the last week of April into the first week of May. During that time, artists from all over the world held art openings, galas and shared work with those interested in the new age of digital art and technology.
The non-profit now promotes the use of technology on a year round basis rather than continuing to host the festival. However, much of the work shown at past festivals along with newer pieces are often on display a the CyberArts Gallery. Located at what was once the Axiom Center for Experimental and New Media, the group continues host shows art on a regular basis.
For those whom can not make it to the gallery, there is also a website on which the non-profit posts a number of past and present artwork and shows. The gallery hosts online exhibits, archived work and is free to browse. While the festival is no longer in operation, artists are still invited to submit work on an ongoing basis throughout the year.
The original festival was located in Boston, Massachusetts and featured a central headquarters where guests could obtain information about events and attend opening night parties. At the time, Massachusetts, most likely thanks to MIT and an awarding winning art school had the largest population of digital artist of anywhere in the United States.
While hosting a centralized office, festival events were held at some of Boston's most renown public spaces, universities, museums and art galleries. Even during the early onset of the internet, the festival would provide access to virtual events when and where possible. As such, it become the most well known and renown CyberArts festival in the country.
The term, while relatively new and still somewhat vague has no other solid definition. In some cases, multiple pieces of art could be created in minutes through the use of a single art application tool. Whereas, other projects could be related to photographs which have been stored on a computer then enhanced through the use of various programs such as Photoshop and other photo editing software.
The Boston CyberArts Festival which began in the early 1990s helped promote this type of art. For, at the time everything from digital visual performance art and video to paintings and portraits were all the rage. In fact, the festival was the largest of its kind for almost three decades. One reason the event was so popular is because organizers allowed artists working in different areas, including mixed media to show and sell work on a regular basis.
In 2007, approximately twenty two thousand people were in attendance with over 200 artists showing work from around the world. The festival was held in Boston once every two years from the last week of April into the first week of May. During that time, artists from all over the world held art openings, galas and shared work with those interested in the new age of digital art and technology.
The non-profit now promotes the use of technology on a year round basis rather than continuing to host the festival. However, much of the work shown at past festivals along with newer pieces are often on display a the CyberArts Gallery. Located at what was once the Axiom Center for Experimental and New Media, the group continues host shows art on a regular basis.
For those whom can not make it to the gallery, there is also a website on which the non-profit posts a number of past and present artwork and shows. The gallery hosts online exhibits, archived work and is free to browse. While the festival is no longer in operation, artists are still invited to submit work on an ongoing basis throughout the year.
The original festival was located in Boston, Massachusetts and featured a central headquarters where guests could obtain information about events and attend opening night parties. At the time, Massachusetts, most likely thanks to MIT and an awarding winning art school had the largest population of digital artist of anywhere in the United States.
While hosting a centralized office, festival events were held at some of Boston's most renown public spaces, universities, museums and art galleries. Even during the early onset of the internet, the festival would provide access to virtual events when and where possible. As such, it become the most well known and renown CyberArts festival in the country.
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