Progressive pop is a subgenre within the rock music. The term is often shortened to prog rock or simply as prog and at times people refer to the subgenre as art rock. Before the term progressive rock came into existence, the subgenre was referred to as progressive pop. The main country of origin of progressive pop was the United Kingdom and the subgenre was developed in an attempt to elevate the genre.
Although the main country of development was the United Kingdom, several other countries also took part in developing the subgenre even further. Some of the most notable countries are Italy, France, and Germany. Scandinavian prog rock is just one of the many versions that later emerged based on the country of origin. The parent genre of music from which progressive pop emerged was psychedelic rock.
The subgenre started being developed in mid 1960s and continued throughout 1970s. The primary reason for development was to give credibility and higher artistic weight to the music of the time. Compositional methods and instrumentation was now being borrowed from classical music and jazz. This was done so that the genre could earn more critical respect and be more sophisticated like other genres.
The danceable beats that earlier characterized the old version were abandoned or incorporated to a lesser extent. Instead, lyrical content, rhythm, compositional structure, and harmony started being incorporated more. Thus, the listener has to put in more effort in order to understand and enjoy the songs. The subgenre borrows musical styles from a number of other genres such as folk and jazz, making it even more sophisticated.
Prog does not stick to the traditional song structure of verse/chorus form, which tends to remain dominant in popular music. Classical-style suites are generated by artists by playing with sections of songs in a way that popular genres fail to accomplish. Harmony is attained through thematic unity among sections. Dynamic contrast results from transitions between acoustic sections and electric sections. Additionally, bands utilize the technique of group improvisation more often.
In progressive pop, individuals receive less emphasis compared to the band. The traditional idea of a band accompanying a single, soloist does not exist. Typically, most songs run for 3-5 minutes, but there are also longer songs. There are artists who record songs that play for over 20 minutes. Such songs have often been recorded in response to too much criticism.
The public received this new genre with mixed reaction. From the year of being launched, there was a lot of criticism and critical acclaim at the same time. The genre has been described by many as paralleling classical music by renowned musicians in the industry. The cause of criticism was often the desire held by some artists to expand its boundaries even more.
The desire to expand boundaries was often accompanied by dismissal of mainstream pop music by some musicians. Such dismissiveness was viewed as a sign of elitism. The subgenre also presented exotic themes in songs that most adolescents in Britain could not identify with because of bad economic situation at the time.
Although the main country of development was the United Kingdom, several other countries also took part in developing the subgenre even further. Some of the most notable countries are Italy, France, and Germany. Scandinavian prog rock is just one of the many versions that later emerged based on the country of origin. The parent genre of music from which progressive pop emerged was psychedelic rock.
The subgenre started being developed in mid 1960s and continued throughout 1970s. The primary reason for development was to give credibility and higher artistic weight to the music of the time. Compositional methods and instrumentation was now being borrowed from classical music and jazz. This was done so that the genre could earn more critical respect and be more sophisticated like other genres.
The danceable beats that earlier characterized the old version were abandoned or incorporated to a lesser extent. Instead, lyrical content, rhythm, compositional structure, and harmony started being incorporated more. Thus, the listener has to put in more effort in order to understand and enjoy the songs. The subgenre borrows musical styles from a number of other genres such as folk and jazz, making it even more sophisticated.
Prog does not stick to the traditional song structure of verse/chorus form, which tends to remain dominant in popular music. Classical-style suites are generated by artists by playing with sections of songs in a way that popular genres fail to accomplish. Harmony is attained through thematic unity among sections. Dynamic contrast results from transitions between acoustic sections and electric sections. Additionally, bands utilize the technique of group improvisation more often.
In progressive pop, individuals receive less emphasis compared to the band. The traditional idea of a band accompanying a single, soloist does not exist. Typically, most songs run for 3-5 minutes, but there are also longer songs. There are artists who record songs that play for over 20 minutes. Such songs have often been recorded in response to too much criticism.
The public received this new genre with mixed reaction. From the year of being launched, there was a lot of criticism and critical acclaim at the same time. The genre has been described by many as paralleling classical music by renowned musicians in the industry. The cause of criticism was often the desire held by some artists to expand its boundaries even more.
The desire to expand boundaries was often accompanied by dismissal of mainstream pop music by some musicians. Such dismissiveness was viewed as a sign of elitism. The subgenre also presented exotic themes in songs that most adolescents in Britain could not identify with because of bad economic situation at the time.
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