By definition, any film made in the US outside of the major Hollywood studio network will be classified as an indie film. Practically speaking, it represents a large section made up of nearly all films produced outside of the major Hollywood studios. Movies like this face steep obstacles blocking their distribution, even in the big coastal cities, with their established film cultures. Those seeking these hard to find gems need to cuddle up with indie movies online.
In terms of quality, it is best to expect to find excellence, but the sort of excellence independent film offers. The typical movie is not simply an inexpensive version of the familiar, formulaic Hollywood movie, but looks into all the corners of life Tinseltown rarely peaks into. There is an advantage to not needing to break a hundred million on opening weekend. It allows an appeal to a more knowledgeable and dedicated viewership.
The work horses of the independent movie is the small band of independent film makers, increasingly sporting their Masters of Fine Arts in film. There is also an army of untutored enthusiasts with cameras. These directors and producers are part of the same field, with the un-degreed, "wildcat" moviemakers perhaps more drawn toward action-packed genres like horror.
There are certain entire genres of film that will almost never make vast sums of money because of the nature of a mass audience. Chief among these is the documentary. This medium has become a remarkably powerful way to spread awareness not only of themes that don't make the Hollywood film, but topics that don't make the network news.
Documentaries have been used as an instrument of social resistance, deployed by the world's most powerless. Often, documentaries are the best way a Westerner can come to understand the plight of those eking out an existence in those obscure corners of the world, such as Serbia and Indonesia. Within the West, documentaries peer into the unattended corners still with us, often on the underbelly of our gleaming cities. One camera can undercut the messaging of dictatorial regimes and uncaring corporations.
Since the independent film world is full of film school graduates, dedicated websites serving this select audience are also fine sources for movies film-makers use to learn their art. They generally carry foreign language films, and many of the sites are genuinely committed to representing as many nations as possible. Many also carry silent films, one of the world's unacknowledged treasures almost completely unwatched by the sugar-stimulated 21st century audience.
Minority communities have a special relationship with independent films. These movies help form an alternative media reality to go with their distinct lifestyle. Perhaps first among these people are gays and lesbians, a community with a standing need to see representations of romance that do not reduce to the standard, heterosexual story of a boy and a girl.
Another such minority community is composed of evangelical Christians, Mormons, and other conservative religious groups. Such groups have long complained about a Hollywood culture they feel once reflected traditional values but no longer does so. They too, are building their own media bubble. There are numerous reasons to escape mass media fare and support independent movies.
In terms of quality, it is best to expect to find excellence, but the sort of excellence independent film offers. The typical movie is not simply an inexpensive version of the familiar, formulaic Hollywood movie, but looks into all the corners of life Tinseltown rarely peaks into. There is an advantage to not needing to break a hundred million on opening weekend. It allows an appeal to a more knowledgeable and dedicated viewership.
The work horses of the independent movie is the small band of independent film makers, increasingly sporting their Masters of Fine Arts in film. There is also an army of untutored enthusiasts with cameras. These directors and producers are part of the same field, with the un-degreed, "wildcat" moviemakers perhaps more drawn toward action-packed genres like horror.
There are certain entire genres of film that will almost never make vast sums of money because of the nature of a mass audience. Chief among these is the documentary. This medium has become a remarkably powerful way to spread awareness not only of themes that don't make the Hollywood film, but topics that don't make the network news.
Documentaries have been used as an instrument of social resistance, deployed by the world's most powerless. Often, documentaries are the best way a Westerner can come to understand the plight of those eking out an existence in those obscure corners of the world, such as Serbia and Indonesia. Within the West, documentaries peer into the unattended corners still with us, often on the underbelly of our gleaming cities. One camera can undercut the messaging of dictatorial regimes and uncaring corporations.
Since the independent film world is full of film school graduates, dedicated websites serving this select audience are also fine sources for movies film-makers use to learn their art. They generally carry foreign language films, and many of the sites are genuinely committed to representing as many nations as possible. Many also carry silent films, one of the world's unacknowledged treasures almost completely unwatched by the sugar-stimulated 21st century audience.
Minority communities have a special relationship with independent films. These movies help form an alternative media reality to go with their distinct lifestyle. Perhaps first among these people are gays and lesbians, a community with a standing need to see representations of romance that do not reduce to the standard, heterosexual story of a boy and a girl.
Another such minority community is composed of evangelical Christians, Mormons, and other conservative religious groups. Such groups have long complained about a Hollywood culture they feel once reflected traditional values but no longer does so. They too, are building their own media bubble. There are numerous reasons to escape mass media fare and support independent movies.
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