The classic dramatic works were not intended for publication, but only to representation; it follows that the key principle of classical theater was the pure representability of stories. There are no original manuscripts actually, since the content was continuously varied and modified (in case of actors, which eliminated or changed verses and often replace them with your own). There are no captions, except those implied or reproduced in ages posthumously as marginal notes: these are those really the captions "scenic", evoked by the word (Phoenix plays).
Interpreters of play are the actors; in modern theater the role of director is also important. Indeed, according to interpretation of text he wants to communicate to public, it takes (or sometimes does not resume ...) indications of staging written by the author, and added to his lead the actors.
However, Alfred de Musset, whose plays have been performed on stage as his late romantic drama baffled theater directors, developed the idea of theater to read under the "show in a wheelchair." Playwright Ionesco has established new rules for the theater in his book Notes and against pad. These are based mainly on the deterioration of language in favor of theater of absurd. Another playwright of twentieth century following the rules of Ionesco is Beckett. The two main types of plays are comedy and tragedy.
The origins of later back to antiquity. Greek tragedies played in religious rites in honor of god Dionysus. These ancient themes are included in sixteenth century by the first playwrights as Garnier or Jodelle, and in seventeenth century by authors such as Corneille, who began by writing baroque comedy and tragicomedy, as Le Cid. But gradually imposed in name of verisimilitude, respect for rules specific to classical theater: the rule of decency and the rule of three units.
In general, the derived words have retained the original meaning, tied to a theatrical writing: drama, drama. For the adjective dramatic there are different practice to use more tied to roots for those who work in this discipline on the concept of drama in its sense of tragedy in usual sense. For example, the theater is designated as a skilled dramatic actor in general one who has mastered the art of drama, and it is usual to define a dramatic actor of film or television only in relation to content or tragic conflict of his acting.
Finally we have a popular theater, characterized both by the clownish (typical of mimes and farces) and religious. Typical was the "drama mixed", which is distinct from the liturgical drama for contamination of genres and the introduction of first sentences in vernacular. In production of this current are also comedies, there's still a popular pantomime, Dinner Cypriani.
They are representations of an occasional nature, consisting of pseudo-ecclesiastical procession led by a boy dressed as a bishop; The procession from the church up to episcopate, in which the clergy and / or the true bishop blessed are fit and ridiculous parody. The bourgeois drama is a theatrical composition representing the characters of small and middle-class or wealthy classes citizens but do not belong to nobility, and describes his daily life, the trials and tribulations, aspirations. It developed in eighteenth and nineteenth centuries.
Towards the end of nineteenth century (1887) appears a radically different kind, realistic drama, illustrated by Henry Becque and the Theatre Libre of Antoine that fits texts that were not originally intended for theater and s' open to foreign authors. It play Tolstoy, Balzac, but also Giovanni Verga or Turgenev. And unpublished works of famous writers: the Goncourt brothers, Villiers de L'Isle Adam1
Interpreters of play are the actors; in modern theater the role of director is also important. Indeed, according to interpretation of text he wants to communicate to public, it takes (or sometimes does not resume ...) indications of staging written by the author, and added to his lead the actors.
However, Alfred de Musset, whose plays have been performed on stage as his late romantic drama baffled theater directors, developed the idea of theater to read under the "show in a wheelchair." Playwright Ionesco has established new rules for the theater in his book Notes and against pad. These are based mainly on the deterioration of language in favor of theater of absurd. Another playwright of twentieth century following the rules of Ionesco is Beckett. The two main types of plays are comedy and tragedy.
The origins of later back to antiquity. Greek tragedies played in religious rites in honor of god Dionysus. These ancient themes are included in sixteenth century by the first playwrights as Garnier or Jodelle, and in seventeenth century by authors such as Corneille, who began by writing baroque comedy and tragicomedy, as Le Cid. But gradually imposed in name of verisimilitude, respect for rules specific to classical theater: the rule of decency and the rule of three units.
In general, the derived words have retained the original meaning, tied to a theatrical writing: drama, drama. For the adjective dramatic there are different practice to use more tied to roots for those who work in this discipline on the concept of drama in its sense of tragedy in usual sense. For example, the theater is designated as a skilled dramatic actor in general one who has mastered the art of drama, and it is usual to define a dramatic actor of film or television only in relation to content or tragic conflict of his acting.
Finally we have a popular theater, characterized both by the clownish (typical of mimes and farces) and religious. Typical was the "drama mixed", which is distinct from the liturgical drama for contamination of genres and the introduction of first sentences in vernacular. In production of this current are also comedies, there's still a popular pantomime, Dinner Cypriani.
They are representations of an occasional nature, consisting of pseudo-ecclesiastical procession led by a boy dressed as a bishop; The procession from the church up to episcopate, in which the clergy and / or the true bishop blessed are fit and ridiculous parody. The bourgeois drama is a theatrical composition representing the characters of small and middle-class or wealthy classes citizens but do not belong to nobility, and describes his daily life, the trials and tribulations, aspirations. It developed in eighteenth and nineteenth centuries.
Towards the end of nineteenth century (1887) appears a radically different kind, realistic drama, illustrated by Henry Becque and the Theatre Libre of Antoine that fits texts that were not originally intended for theater and s' open to foreign authors. It play Tolstoy, Balzac, but also Giovanni Verga or Turgenev. And unpublished works of famous writers: the Goncourt brothers, Villiers de L'Isle Adam1
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