The Primitivism art movement was spearheaded by Paul Gauguin paintings featuring bold colors, exaggerated body proportions and stark contrasts. Paul Gauguin was a French artist who enjoyed broad success near the end of the 19th century. He did not follow artistic conventions, having no formal art education, but took the path of his own vision.
Paul quickly became serious with painting, which started as a hobby. One of his works was exhibited in an important Paris art show in 1876. His work appeared among the works of Pissarro, Degas and Monet in an Impressionist exhibition in 1879. One of the most famous of innovative Paul Gauguin paintings, the Vision of the Sermon was created in 1888.
Paul began work on creative and innovative art with the fusion of Tahitian culture with his own in 1891. However, these Tahitian pieces were met with mixed interest by Parisian art aficionados in 1893. It was in French Polynesia that one of the later masterpieces among Paul Gauguin paintings was completed. This masterpiece was a review of the life cycle of man.
It did not take long for Tiziano Vecellio to be considered as the leading painter of Venice. It took only his first major public commission to do that. His early training under Giorgione was responsible for Titian paintings to have that tonal approach to them. Likewise, this training was the culprit for the atmospheric and evocative style to his landscape artworks.
It was a celebration of natural beauty blended with love and music that constituted the pastoral landscapes among the Titian paintings. This is very evident in two of Titian's works, Landscape with Goat and Two Satyrs in a Landscape. The latter landscape contrasted the stark beauty of a luscious landscape against mythological figures given a carefully balanced arrangement.
The portraits among the Titian paintings are truly remarkable. They not only suggest the status and prominence of their subjects through the implication of an enormity of presence or the suggestion of sensitivity in the face and hands. They also showcase a psychological dimension to them by the display of melancholia or dreaminess in their projected imaging.
Paul quickly became serious with painting, which started as a hobby. One of his works was exhibited in an important Paris art show in 1876. His work appeared among the works of Pissarro, Degas and Monet in an Impressionist exhibition in 1879. One of the most famous of innovative Paul Gauguin paintings, the Vision of the Sermon was created in 1888.
Paul began work on creative and innovative art with the fusion of Tahitian culture with his own in 1891. However, these Tahitian pieces were met with mixed interest by Parisian art aficionados in 1893. It was in French Polynesia that one of the later masterpieces among Paul Gauguin paintings was completed. This masterpiece was a review of the life cycle of man.
It did not take long for Tiziano Vecellio to be considered as the leading painter of Venice. It took only his first major public commission to do that. His early training under Giorgione was responsible for Titian paintings to have that tonal approach to them. Likewise, this training was the culprit for the atmospheric and evocative style to his landscape artworks.
It was a celebration of natural beauty blended with love and music that constituted the pastoral landscapes among the Titian paintings. This is very evident in two of Titian's works, Landscape with Goat and Two Satyrs in a Landscape. The latter landscape contrasted the stark beauty of a luscious landscape against mythological figures given a carefully balanced arrangement.
The portraits among the Titian paintings are truly remarkable. They not only suggest the status and prominence of their subjects through the implication of an enormity of presence or the suggestion of sensitivity in the face and hands. They also showcase a psychological dimension to them by the display of melancholia or dreaminess in their projected imaging.
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